Friday, 26 June 2026

22 - Disambiguation (a rhyming infodump)

#NaPoWriMo Day 22 and I wrote a clerihew inspired by a prompt the Porcupine (disambiguation) page of Wikipedia, which is pretty much fully down to my Prompt-o-matic Spreadsheetatron™ telling me to write a Clerihew (okay, I cheated a bit in the first stanza; don’t tell Bentley) about Porcupine, except it was me who decided to expand it to a five-stanza series by picking things that intrigued me from the “It could mean these things” page.

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the twenty-one preceding it) there. The link to the relevant post is here: https://www.patreon.com/fayroberts/posts/disambiguation-162117475


The rodent that’s called Porcupine
has quills on its sides, rump, and spine;
whether it’s the Old World family of Hystricidae,
or the New World (totally no relation) family of Erethizontidae.

The Porcupine Caribou
is an exotype not found in the zoo.
This subspecies of reindeer is super-migratory,
which makes them a nomadic-existence-inspiring quarry.

The slow-moving Porcupinefish
has one easy-to-grant wish:
it mostly wants to be left alone,
which it hints at by making itself spiky and overblown.

The HMS Porcupine
could be any one of various ships, numbering nine.
The first one was launched in 1743,
and the last one torpedoed in 1942 in the Mediterranean Sea.

Porcupine homolog (Drosophila)
is a human gene whose mutations are associated with focal dementia hypoplasia.
The protein it encodes
is not an easy thing about which to write odes.

Slightly surreal, digital drawing of something that looks unnervingly organic. Against a pale cream background, a dark grey, semi-translucent curve, like the beginning of a bass clef, or a number 9 laid on its side, is decorated with a series of thin strokes like spines all the way from the 'head' to the 'tail', which bells out into something like a rounded tailfin. At the head end, the curve terminates in something branching like antlers, while layers of more watery black fill most of the rest of the space, striated strangely.
On the grounds that anything is better than getting GenAI to vomit something up, I drew this nightmare fuel fusion of images associated with all five things described above

Thursday, 25 June 2026

21 - Envoy

#NaPoWriMo Day 21 and… yeah, so this one kind of gut-punched me and delayed everything else, and then I was overthinking the visual imagery, which stopped me from recording the audio version of this and, while I finished all the poems within April 2026 (technically, if you live in California), I’ve only recently started getting the spoons together to make the posts. Anyway, Day 21 and wrote a piece of free verse inspired by the prompt “Temples and Prisons”. The publication which supplied said prompt state that they “are open to traditional forms of poetry, as long as they provide a sensory experience and avoid cliches and emotionally loaded language,” which I think pricked me to some of the lines that follow.

In fact, there are quite a few obscure references in this, so jump down to the end if you’d like to see them first, or otherwise ignore. Please note content warnings for assault, and implied parental violence.

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the twenty preceding it) there. The link to the relevant post is here: https://www.patreon.com/fayroberts/posts/envoy-162005431


So here I am, locked in memories,
seething behind a scarp of bone,
not as alone as I’d like to be,
breathing (just breathe), pleading
for Lethe. It doesn’t come.

I should start at the beginning,
sins brimming over in media res,
desperate to avoid the kind of ploys
employed by the terminally metatextual,
mental guests overstaying their welcome.

Impressed yet? Or should that be etched?
I’m sketchy on the specifics, but acid
clambers up my throat, and oh yes –
etched is definitely (technically) the
better word.

Le mot juste, but there’s no justice,
just us
, right? I am a bran tub
of unsorted clichés wrapped in
ill-fitting identities, overlapping
map references and… stuff…

Breathe some more. In. Out.
He used to clout you, side of the head,
bed not a refuge like it is now;
cowering angers him, but defiance
winds ire up into the crack of leather.

That’s not cricket, is it? Thwack!
Howzat?
resounds and
I’m out, reeling, feeling misalignment
chime down my ganglia,
a ladder to clamber, but… wait…

The ritual glitches, high priest teetering as I
finally see him clearly, outlined in jumbled
metaphors and a score of
awful imagery: this bleak wee bastard’s
weak. No titan he, just greedy Tantalus

Put him away, find a grey rock to
lock above his head,
shed the presumption of his power,
shower the lingering shame off
your body and stretch. Deep breaths.

Drift outside to see the sunset,
let lingering warmth invest the
dreadful, hollow spaces,
chase sounds that won’t echo
over and over, soft surfaces absorbing.

We weren’t meant to live
in mausolea, cold marble
crafted to showcase only the past,
fastened into shackles dragging
at our heels.

We need to know our
starting points to map the next
steps, and I wish I had an apt
and natty end, could
send you off tidily, but… this is it.

Painstakingly drawn by me using Krita and a Huion tablet

Notes:

  1. Envoy (also: envoi) generally means a (diplomatic) messenger nowadays, but there are a ton of historical and literary meanings: The mesage itself. The concluding part of a literary work, esp. a short stanza concluding a poem written in certain verse forms (e.g. the ballade or sestina); (occasionally in extended use) an author's concluding words, dedication, etc. The mission or errand on which the messenger is sent. Letter of envoi (envoy), from the French lettre d'envoi, which can mean a letter intended to accompany another (especially diplomatic) document (basically a covering letter), a letter formally opening communication between individuals or institutions, or even a letter advising of the dispatch of goods.


  2. The Lethe is a river from Ancient Greek mythology, where the dead go to drink to forget.


  3. Le mot juste is a French phrase which we use in English to talk about the right word at the right time.


  4. And Tantalus was a Greek king condemned after death to never be able to quench his thirst or satisfy his hunger, as justice for what he served up at a feast for the gods (purportedly in one version: his own son).

Jump back up to the beginning of the poem.

Sunday, 26 April 2026

20 - Post-Truth

#NaPoWriMo Day 20 (technically 25, but hey – what’s a little writer’s block between friends?) and tonight I’ve been writing a piece of free verse inspired by the prompt “Donald Trump is rushed from the White House Correspondents’ Dinner after gunshots fired

Talk about fresh inspiration! This only happened an hour ago! And just in time for me to dash this off and submit to Rattle!

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the nineteen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/post-truth-156566308


Chaos layers on confusion;
contusions are few,
groups of suits,
unsuited to action,
stack under the boards.

And he looks… bored, while
scores of silk-clad reporters
pour their accounts into
news desks from vantage points
anointed by shiny shoes.

Writer’s block unstoppered by this,
I slip the headline into the
discord, grimly nod at
insomniacs echoing my
disquiet: is this real?

Can we trust anything we read?
Greed has cast doubt on
the clout of journalism,
that prism has cracked, and
not all hacks are even human now.

Will this turn out to be an accident,
an act of defiance, an
alliance of those who serve history,
a mystery twisted, or an ideal
diversion from the traditional roasting?

Who knows?

A dark, blemished, black and white photograph with white scratches and black marks almost like mould trees around the edges, unevenly developed, so that it mostly seems underexposed, but has brighter swags and blurs in places, of three young people in traditional Estonian clothing, an older girl (or young woman) and a young boy on a plain, wooden bench, and a girl on a separate chair. The younger people are possibly about ten. The girls wear white kerchiefs over their hair and frilled pinafores over long, woolen or linen dresses. The boy wears a black hat and a waistcoat over a white shirt, knee-length breeches, and long socks with black shoes. The girls' shoes are barely visible under their skirts. All three are engrossed in smart phones. In the background are wooden walls and the handles of agricultural equipment.
“Post-truth-era 03”. Photograph from the POST-TRUTH ERA photo series by Heikki Leis. Glass negative, 2017, via Wikipedia

19 - I’m Not Done

#NaPoWriMo Day 19 (actually, finally!) and today I’ve been writing an acrostic inspired by the prompt of “Loneliness”, thanks to my bodged-together-at-the-beginning-of-the-month Prompt-o-matic Spreadsheetatron (which I may or may not make available to the public once this month’s done and I can take a short breather). I live alone at the moment, and I make no apology for the slightly obscure/ punning nature of my nodding title.

But it isn’t the 19th anymore, Fay! I hear you say. Ah, yes, well... that’s because, Imaginary Interlocuter, I got too in my head about how to do an audio version of this, and have been blocked for days as a result.

Remember that, if you’re a subscriber to my Patreon, you can hear said recording of this piece (and the eighteen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/im-not-done-156565304 (but if you’d like to get hold of the recording for accessibility purposes, just let me know).


It’s not how others think of it, apparently;
Nothing like the terror and tedium they
Seem to imagine. Drifting in echoing emptiness,
Unable to cope with only my own voice? No:
Loneliness is rarely something I experience
Alone. Solitude is soothing, safe, sufficient.
The thing that absolutely breaks me
Is being cut out in company, unfit puzzle piece.
Ostracised, voice drowned; that’s confounding,
Not this blessed peace (with the means to reach out).


A vivid, colour photo of a sealion on a golden beach in bright, tropical sunshine. The water is bright blue, and in the background, across the water, is a nearby rocky promontory to the left, and what looks like a volcanic outcrop further across the curving bay. The rocks in both cases are reddish brown, with sparse greenery. The sealion is sitting at the water's edge, back towards the bay, his upper body raised on its flippers, head back, mouth open, looking as though he's bellowing at the sky.
Photo by Diego Delso, delso.photo, License CC BY-SA, via Wikipedia



If you’d like to write your own acrostic, why not make use of my handy-dandy shareware spreadsheet that can help get you started? https://bit.ly/poemrep

Monday, 20 April 2026

18 - Snowflake

#NaPoWriMo Day 18 (technically 19) and today I’ve been writing a pantoum inspired by too many conversations that I suspect many of you will find… familiar…

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the seventeen preceding it) there. The link to the relevant post is here: [Patreon post]


I ask him not to use that phrase;
I am polite, I do not shout.
He tells me that it’s just his ways,
I don’t know what I’m on about.

I am polite, I do not shout;
we must be careful to be safe.
I don’t know what I’m on about:
his arrogance begins to chafe.

We must be careful to stay safe,
and not upset the "normal" folk.
His arrogance begins to chafe…
of course: I cannot take a joke.

Please don't upset the Normal Folk.
(He tells me that it’s just his ways…
of course: I cannot take a joke.)
I ask him not to use that phrase…



If you’d like to write your own pantoum, why not make use of my handy-dandy shareware spreadsheet that can help get you started? https://bit.ly/poemrep

17 - On losing my Saturday and part of Sunday to a sodding migraine

#NaPoWriMo Day 17 (technically 19) and today I’ve been writing a haiku inspired by exactly what it says on the tin, as an emergency measure because, what with that and the epic editing process for Ouroboros, I’m now super behind.

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the sixteen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/on-losing-my-and-156046560


It’s no joke in Spring;
no-one’s prepared to cope with
atmospheric shit.

A digital cartoon of a human brain, complete with cerebellum and a bit of brainstem at the bottom, coloured pale pink, with darker, madder rose lines curving through it to show the folds. All over said brain are jagged, scribbled, haphazard lines of black, red, orange, and a kind of sickly, greenish yellow, some of them partially or entirely outside the brain limits.
Migraine Brain by me. I didnt even both looking on Google this time.


If you’d like to write your own haiku (in English), why not make use of my handy-dandy shareware spreadsheet that can help get you started? https://bit.ly/poemrep

Saturday, 18 April 2026

16 - Ouroboros

#NaPoWriMo Day 16 and that night I wrote a piece of free verse inspired by the prompt “Golden eagles could be returning back to English skies after 150 years” as part of my ongoing (possibly Adrian-Mole-esque) attempts to get a news poem into Rattle, which I’m becoming increasingly sanguine about and just seeing it as an opportunity to do a submission to a friendly place and keep finding fresh, weekly prompts for easy poem-inspiration.

Easy. Right. So the process went something like this (skip to the poem if you’d prefer):

Me: I shall write a poem about golden eagles. Golden eagles are great!
Writing Brain: Uh, yeah. Great.
Me: No, we agreed: golden eagles. The Patreon subscribers picked it unanimously. We just did hours of research and shit.
WB: Mmmh. Not feeling it.
Me: Deal with it.
WB: [stubborn silence]
Me: [tries to tempt WB out with setting up an acrostic]
WB: [tumble weed]
Me: Fuck’s sake, fine. [slumps] Leave me, then. I’ll just sit here, bereft. Like this nation bereft of all those species that got hunted to extinction…
WB: Oh, hello.
Me: What?
WB: Say that again?
Me: Uh. “Fine, leave”?
WB: No, the other thing.
Me: “We are a nation bereft”?
WB: That’s the puppy.
Me: Uh, okay…? [starts writing]

[time passes]

WB: Ooh, we could expand this list of extinct British animals…
Me, cautiously: I guess…?
Me: Wait. Are we writing a political poem instead of a nice nature poem…?
WB: Maaaybeeee…?
Me: Fine, I supposed ecology is pretty political…
WB, absently: Now you’re getting it…

[after a couple of stanzas]

Me: So, just a short one, after last night’s sestina, right?
WB: Oh, absolutely.
Me: Right.

[80 minutes later]

Me: Why is the poem going over the page?
WB: Nearly done…
Me: You mean it’s not finished yet?!
WB: Shh, I’m busy.
Me: [growls]

[time passes]

WB: Hey.
Me: What? Done?
WB: Not exactly. Could you go look up a list of reintroduced species to the British Isles for a kind of rollcall near the end?
Me, throwing hands up: I guess!

So that all happened. And then I realised that my delivery during the recording left a lot to be desired (there was definitely a bit that came across horribly classist, for one), so I re-recorded the last two stanzas. And then did the last one again, because WB chipped in saying “eh, that’s a bad assonance” (you’re a bad assonance!) and rewrote two lines. And then there were bits which no amount of cleaning could fix which needed pick-ups and that’s why I’m a day late releasing this NaPoWriMo poem (which doesn’t even mention golden eagles by name…), officer.

Anyway, remember that, if you’re a subscriber to my Patreon, you can hear the much-belaboured recording of this piece (and the fifteen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/ouroboros-155915962


We are a nation bereft –
we swept out all the things we
didn’t think fitted our
image, insisted on diminishing
diversity, this unenlivened
island made bland as butter,
utterly subsumed in
consuming greatness.

No more bears or boars,
these shores cleansed,
carcass flensed; we’d throw you
to the wolves, but that’s not
an option anymore.
The aurochs gone, the great auks
axed, taxed by a species that
sees vulnerability and
bleeds it dry.

Anything deemed too big for its boots
is rooted out and then, ironically,
we go looting elsewhere, and
dare to complain when these actions
have consequences, begging the
question: when does entitlement
get fed up with itself?

I exaggerate, of course:
#NotAllHumans actively stamp out
the damp borders of this
hoarding nation, saying
“Let’s slay things, let’s make this
frayed system more desiccated,”
dedicating efforts to ending
indigenous and migrant
variety alike.

But, gods help me, enough of us
do nothing, and that’s… bad.
So thank heavens for those
closer to the ground by choice,
voices raised, daring their best,
questioning the status quo,
knowing that all this hard
graft might not stem disaster, but we’ll
sink faster in the quicksand of
handing off our responsibilities.

And see? The Fisher King
builds, buck-toothed and broad-tailed
in this ailing nation once more.
White storks haunt lake shores,
scores of pine martens and many tiny ants
gathered and nurtured and handed
back to a land that needs them.
Demanding more than monoculture,
ungovernable greed asset-stripping
this habitat for… snacks,
has to start somewhere.

There are bison now in Kent, and the Isle of
Wight has white-tailed eagles thriving,
driving out the unchecked
predators, invader turned prey.
And hey, I know what you’re thinking:
“This place is more crowded now and
how will we cope with these new-old things
incoming, taking up space, fiercely protected,
who gets to stake their claim,
blame shifting… this way…?”

And I say: reparations from the audacious few
who caught us all up in their hunger have to
happen
, so please, bring on the wonderful
thunderclap of wings broader than
I’m tall and I’ll sing you such songs
of old wrongs righted. No longer benighted,
we can be inspired, and wild,
and rightfully just a part, not
monarchs, but citizens, dancing,
balanced again at last.

A greyscale, slightly Impressionistic (I flatter myself) digital drawing of a snake eating its own tail, fangs digging in slightly, and forked tongue protruding in a probably highly inaccurate fashion. The background is transparent, so against a dark page, it glows slightly, despite its back being a slightly patchy, darker grey than its belly.
What’s that, Fay? You decided to draw something you’ve never drawn before for this already very involved poem? Cool. Cool.


The Ouroboros represents many things, depending on the cultural background you’re viewing it from. Unity, protection, duality, completeness, the trap that is the physical universe, and the end containing the beginning (and vice-versa) being some of them. Up to you which you’d like to apply in the context of this piece…!