Saturday, 4 April 2026

3 - Truncated

Confession: I slept through Friday (3-Apr) and so I’m invoking my personal Emergency Short Form Protocol (i.e. I’m allowed two emergency short forms – haiku/ senryū, limerick, clogyrnach, or tanka in the course of the month – if I chain them to make a longer poem, that doesn’t count as an ESF) already. Someone on Threads said that we should all Google Pink Fairy Armadillos, if we were unaccountably unaware of their existence already, and I took that as a sign…

(Don’t forget that you can access recordings of these poems on my Patreon!)


You shouldn’t exist.
Your design is too tricky,
and yet you persist…
Pretty burrower won’t you
share your stubbornness with us?


If you fancy writing a tanka for yourself, you can use my Repeating and Concrete Poetry Forms spreadsheet, which has a number of syllable-counting forms in there too…

In a glass case with other taxidermied specimens in their own beyond it (the legs of a kangaroo or wallaby, and something like a stoat are visible) is a small creature on a lump of brown, sandy terrain. It is low-slung, a little like an elongated, albino mole, and has long, white fur covering the lower half of its body, while the whole of its back and top of its skull are protected by a series of pale pink, jointed scales that look like armour, ending in a series of bristles, like a fringe at the tail end. It has large, pinkish foreclaws and spindly, greyish back paws, adding to its mole-like appearance, along with beady, black eyes.
Picture of taxidermied specimen courtesy of Daderot via Wikipedia

You can access the recording of this poem via Patreon.

Friday, 3 April 2026

2 - Impure

NaPoWriMo Day 2, and I’m combining this one with my weekly forays into writing something for the Rattle Poets Respond challenge. Rattle have a very civilised (in my view) approach where poems submitted to them can be self-published online (blog, Patreon, social media, etc.), as long as they haven’t been curated elsewhere (defined as when someone else has picked them out and highlighted them for publication).

Reminder, however, that, if you’re a paying Patreon of mine, you’ll see all of my NaPo poems (and only Patrons – paying or free – get the recordings of me reading them). If not, you’ll only see the ones I have no intention of saving for third party publication (where they’re more strict in their definition of “previously published”).

This piece was inspired by this horrifying news story, so carries warnings for death, dereliction of duty, mourning, and a lot of grimness. It also talks reasonably openly about an aspect of the OCD I inherited from my mother – the so-called “Pure O” element of the condition that can be very troubling.

(Shout out to Lou Sutcliffe, whose extensive infodumping earlier this evening about Chilean geology and geography – which research rabbit hole they plunged into after listening to Tlacuache Theatre’s episode on the myth of El Caluche – informed the fifth stanza, which turned up when I was typing this up from handwritten notes.)


Link to Patreon post with recording: https://www.patreon.com/posts/nightlights-154561064

It’s interesting how quickly I slip
into obscenities – not the obvious curses,
the worse words learned obverse to disaster,
casting this bark as tempestuous, cross,
oblivious to social constructs
, mores
more important than scoring my rage

No, I’m talking about the images that
glimmer on my inner eye,
wild flashes of nastiness, beset with
the grimness others have gifted
reality, humanity abandoned for
Mammon. That’s the real curse.

Verses buck under me, cleaving
these fleering demons fleeing
responsibilities to their victims,
living and dead. I cannot comprehend,
yet am doomed to see their sins
seared onto my occiput, rendered forever.

It’s not new to me – inheritance from
unoccupied pockets of ancestral
mentation, wretched wraiths etched into
inner vision, pricking with the gift of
what-if risk analysis, painfully vivid,
ultimately none of our business.

And yet. We are not islands, this
shit isn’t isolated; we are peninsular,
isthmuses, archipelagos of the
volcanic – product of pressures from
the obvious and not-so, above and
below, summoned from our molten core.

And still this vision lingers – the bodies
bodged, boxed wrongly, blocked
from the arms and hearts of those left
bereft, mendacities becoming more deft as
the dead stack, backlogged in
backrooms, abandoned on slabs.

My brain may visualise it effortlessly,
executive dysfunction can somewhat
sympathise, but my heart can’t
comprehend how they could end this way,
weighing dismay and coming up with
nothing – not even a stab at apology.

And so obscenity devolves to mystery,
glimpses of waste parading naked to my
inner eye, defilement surrendering
nothing but shame, and new
fuel for nightmares, wondering where
else bears this banal banishment of
basic decency that shan’t be laid to rest.

A picture of a large, neat stack of dry human bones and three skulls without lower jaws, in a dark place, lit from the side by distant, natural light. The bones are clearly very old, from the darkness and discolouration. Some of the bones are broken, and the orbit of one of the skulls has been expanded below, the cheekbone having been shattered. The atmosphere is peaceful, pragmatic, slightly chaotic where the neat stacks of mostly leg bones becomes a little broken and scattered, and a little eerie.
image of Paris catacombs courtesy of “Mustang Joe” on Flickr (found originally unattributed via picryl)

Thursday, 2 April 2026

1 - Nightlights

NaPoWriMo has struck again, and this year I’m determined to finish. 2023 was the last time I tried, and I got precisely four poems out of it. 2024 I was moving house, and 2025 I was receiving, then recovering from surgery. This seems like a decent year to start again…

If you’re a paying Patreon of mine, you’ll see all of them (and only Patrons – paying or free – get to hear recordings of me reading them). If not, you’ll only see the ones I have no intention of saving for third party publication.

This was not one of the ones I’m keen to cling to, but then, so far I’ve not exactly produced any immortal bangers on the first day of the challenge (yes, I just checked back through all of them, shhh). I looked for an image to do some ekphrasis with and the first lines that came to mind felt like they belonged in an end-rhyming, common metre poem. Often enough, style informs substance, so this is not the poem I started out to write, but it is the poem I finished, which is, after all, the point…


The camera is set very close to the ground for this night-time urban shot of what looks to be a railway platform. The streetlights, rails, and overhead wires are blurred to the point of dreamlike while the much-cracked tarmac, and the solid white-painted line running down the centre of the image from our point of view to the vanishing point are pitilessly in focus.
image courtesy of picryl

Down here the cracks are crevices,
and all the streetlights stars.
These details where the Devil lives
are written in the scars.

Marred tarmac, paint, and metal struts
are sutured by the stains
of diesel, gum, discarded butts,
the residue of rain.

Every puddle is a lake,
each divot is a dale;
arrivals conjure earthquakes,
departures summon gales.

But here black has a thousand shades,
up close, grit scintillates;
this patch of moss a pleasant glade,
a single breadcrumb sates.

The miniscule holds treasures
if you’re prepared to look,
and what you thought half-measures
might just contain a book…

link to Patreon post, complete with recording, here: https://www.patreon.com/posts/nightlights-154561064


Tuesday, 11 April 2023

2023.4 Might as Well

No prompt used this time – this comes from some free-writing while testing out the Sprinto bot in a discord app. Took literally 2 minutes to write; the first part is almost entirely free-written, then I realised it looked like a haibun, so finished up with a senryū.

I am writing some words that will never be heard in a blank space dictated by the amount of time it takes to make this assonate internally, eternally grateful to all the way the Maker shaped me for verbage. I’ve learned it’s impossible to ignore the awesomeness of your own spirit, mauled though it might be, it shines through duly, unruly and grime-streaked though it might be, it speaks, drifting in infinite wonder, sundering itself to beauty and the press of helpful flesh again and again. And though it might be lost for a while, or its light dimmed, its flicker will never be diminished as long as its name is spoken in its own, secret, holy tongue.

Once more I find it
shining in the eyes of a
friend, beckoning love.

Black & white photo of actor Jim Carrey, a middle-aged, clean-shaven, white guy, gazing pensively upwards and being quoted as saying 'You can fail at something you don't want, so you might as well take a chance doing what you love.'

[Image description: Black & white photo of actor Jim Carrey, a middle-aged, clean-shaven, white guy, gazing pensively upwards and being quoted as saying 'You can fail at something you don't want, so you might as well take a chance doing what you love.']

Tuesday, 4 April 2023

2023.3 Anything Goes

Taking my own prompt from Allographic, this turned up this morning:

I’ve defied the promise of my youth;
I feel the loss, but cannot spur myself.
And is it wisdom now to tell the truth?
I’ve redefined the promise of my youth.
To act ungrateful now might seem uncouth,
but I don’t mind the dust on this warm shelf.
They deified the promise of my youth;
I feel the loss, but cannot spurn myself.

Picture of a young, black child with long, reddish-brown, curly hair, standing against a yellow backdrop, holding up a book with Einstein's face on the front so that his profile merges onto theirs.
Image source: Today's Parent article Why being gifted isn’t always a gift

[Image description: Picture of a young, black child with long, reddish-brown, curly hair, standing against a yellow backdrop, holding up a book with Einstein’s face on the front so that his profile merges onto theirs. End image description.]

Sunday, 2 April 2023

2023.2 Berger

Another Allographic prompt, this time to write a tetractys about a favourite seat. 

sat
watching
everything
go by so fast
I am ice-struck, stuck in sucking comfort.

Miserably comfortable, unshifting,
sifting icebergs
skittering
on slow
drifts.

fast,
crawling,
vast landscapes
are unfurling
while I sit, prisoner of my sorrow.

Image source: Wikimedia montage image of what a whole iceberg may look like... 


Saturday, 1 April 2023

2023.1 Shazam

Taking a nudge from the Allographic prompt today, starting with an Abracadabra:

Sometimes joy and labour are reversed, it’s true.
No matter how you try, the truth comes out.
High and dry, I find that I’ve no choice:
my options dwindle, one by one;
this sandbar looks like ending.
When did I fear wet feet?
I might get over
my head but, well,
there may be
no real
choice

A watercolour painting of a dark brown, wooden rowing boat pulled up in the shallows of a tropical-looking beach just under a cluster of three palm trees. The sun is bright, but storm clouds are massing, and there is nothing else in sight, just the sea, beach, trees, and sky.
Image found via the Know Your Phrase article about the phrase "high and dry"

[Image description: a watercolour painting of a dark brown, wooden rowing boat pulled up in the shallows of a tropical-looking beach just under a cluster of three palm trees. The sun is bright, but storm clouds are massing, and there is nothing else in sight, just the sea, beach, trees, and sky. End image description.]