Monday, 20 April 2026

18 - Snowflake

#NaPoWriMo Day 18 (technically 19) and today I’ve been writing a pantoum inspired by too many conversations that I suspect many of you will find… familiar…

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the seventeen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/snowflake-156049134


I ask him not to use that phrase;
I am polite, I do not shout.
He tells me that it’s just his ways,
I don’t know what I’m on about.

I am polite, I do not shout;
we must be careful to be safe –
I don’t know what I’m on about –
his arrogance begins to chafe.

We must be careful to stay safe,
and not upset the “normal” folk.
His arrogance begins to chafe…
of course: I cannot take a joke.

Please don’t upset the Normal Folk.
(He tells me that it’s just his ways…
of course: I cannot take a joke.)
I ask him not to use that phrase…

A digital rendering of a snowflake, in shades of aquamarine and white (with a teensy bit of yellow in that is only visible if you zoom all the way in). Some of the rays further into the centre cross over each other, which the artist is fully aware is not how a classic snowflake works, but was very tired and would like to just leave it be for now.
I’m aware that this doesn’t add a great deal to the commentary, but I’m tired and this will have to do… Designed using CorelDraw and my own brain


If you’d like to write your own pantoum, why not make use of my handy-dandy shareware spreadsheet that can help get you started? https://bit.ly/poemrep

17 - On losing my Saturday and part of Sunday to a sodding migraine

#NaPoWriMo Day 17 (technically 19) and today I’ve been writing a haiku inspired by exactly what it says on the tin, as an emergency measure because, what with that and the epic editing process for Ouroboros, I’m now super behind.

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the sixteen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/on-losing-my-and-156046560


It’s no joke in Spring;
no-one’s prepared to cope with
atmospheric shit.

A digital cartoon of a human brain, complete with cerebellum and a bit of brainstem at the bottom, coloured pale pink, with darker, madder rose lines curving through it to show the folds. All over said brain are jagged, scribbled, haphazard lines of black, red, orange, and a kind of sickly, greenish yellow, some of them partially or entirely outside the brain limits.
Migraine Brain by me. I didnt even both looking on Google this time.


If you’d like to write your own haiku (in English), why not make use of my handy-dandy shareware spreadsheet that can help get you started? https://bit.ly/poemrep

Saturday, 18 April 2026

16 - Ouroboros

#NaPoWriMo Day 16 and that night I wrote a piece of free verse inspired by the prompt “Golden eagles could be returning back to English skies after 150 years” as part of my ongoing (possibly Adrian-Mole-esque) attempts to get a news poem into Rattle, which I’m becoming increasingly sanguine about and just seeing it as an opportunity to do a submission to a friendly place and keep finding fresh, weekly prompts for easy poem-inspiration.

Easy. Right. So the process went something like this (skip to the poem if you’d prefer):

Me: I shall write a poem about golden eagles. Golden eagles are great!
Writing Brain: Uh, yeah. Great.
Me: No, we agreed: golden eagles. The Patreon subscribers picked it unanimously. We just did hours of research and shit.
WB: Mmmh. Not feeling it.
Me: Deal with it.
WB: [stubborn silence]
Me: [tries to tempt WB out with setting up an acrostic]
WB: [tumble weed]
Me: Fuck’s sake, fine. [slumps] Leave me, then. I’ll just sit here, bereft. Like this nation bereft of all those species that got hunted to extinction…
WB: Oh, hello.
Me: What?
WB: Say that again?
Me: Uh. “Fine, leave”?
WB: No, the other thing.
Me: “We are a nation bereft”?
WB: That’s the puppy.
Me: Uh, okay…? [starts writing]

[time passes]

WB: Ooh, we could expand this list of extinct British animals…
Me, cautiously: I guess…?
Me: Wait. Are we writing a political poem instead of a nice nature poem…?
WB: Maaaybeeee…?
Me: Fine, I supposed ecology is pretty political…
WB, absently: Now you’re getting it…

[after a couple of stanzas]

Me: So, just a short one, after last night’s sestina, right?
WB: Oh, absolutely.
Me: Right.

[80 minutes later]

Me: Why is the poem going over the page?
WB: Nearly done…
Me: You mean it’s not finished yet?!
WB: Shh, I’m busy.
Me: [growls]

[time passes]

WB: Hey.
Me: What? Done?
WB: Not exactly. Could you go look up a list of reintroduced species to the British Isles for a kind of rollcall near the end?
Me, throwing hands up: I guess!

So that all happened. And then I realised that my delivery during the recording left a lot to be desired (there was definitely a bit that came across horribly classist, for one), so I re-recorded the last two stanzas. And then did the last one again, because WB chipped in saying “eh, that’s a bad assonance” (you’re a bad assonance!) and rewrote two lines. And then there were bits which no amount of cleaning could fix which needed pick-ups and that’s why I’m a day late releasing this NaPoWriMo poem (which doesn’t even mention golden eagles by name…), officer.

Anyway, remember that, if you’re a subscriber to my Patreon, you can hear the much-belaboured recording of this piece (and the fifteen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/ouroboros-155915962


We are a nation bereft –
we swept out all the things we
didn’t think fitted our
image, insisted on diminishing
diversity, this unenlivened
island made bland as butter,
utterly subsumed in
consuming greatness.

No more bears or boars,
these shores cleansed,
carcass flensed; we’d throw you
to the wolves, but that’s not
an option anymore.
The aurochs gone, the great auks
axed, taxed by a species that
sees vulnerability and
bleeds it dry.

Anything deemed too big for its boots
is rooted out and then, ironically,
we go looting elsewhere, and
dare to complain when these actions
have consequences, begging the
question: when does entitlement
get fed up with itself?

I exaggerate, of course:
#NotAllHumans actively stamp out
the damp borders of this
hoarding nation, saying
“Let’s slay things, let’s make this
frayed system more desiccated,”
dedicating efforts to ending
indigenous and migrant
variety alike.

But, gods help me, enough of us
do nothing, and that’s… bad.
So thank heavens for those
closer to the ground by choice,
voices raised, daring their best,
questioning the status quo,
knowing that all this hard
graft might not stem disaster, but we’ll
sink faster in the quicksand of
handing off our responsibilities.

And see? The Fisher King
builds, buck-toothed and broad-tailed
in this ailing nation once more.
White storks haunt lake shores,
scores of pine martens and many tiny ants
gathered and nurtured and handed
back to a land that needs them.
Demanding more than monoculture,
ungovernable greed asset-stripping
this habitat for… snacks,
has to start somewhere.

There are bison now in Kent, and the Isle of
Wight has white-tailed eagles thriving,
driving out the unchecked
predators, invader turned prey.
And hey, I know what you’re thinking:
“This place is more crowded now and
how will we cope with these new-old things
incoming, taking up space, fiercely protected,
who gets to stake their claim,
blame shifting… this way…?”

And I say: reparations from the audacious few
who caught us all up in their hunger have to
happen
, so please, bring on the wonderful
thunderclap of wings broader than
I’m tall and I’ll sing you such songs
of old wrongs righted. No longer benighted,
we can be inspired, and wild,
and rightfully just a part, not
monarchs, but citizens, dancing,
balanced again at last.

A greyscale, slightly Impressionistic (I flatter myself) digital drawing of a snake eating its own tail, fangs digging in slightly, and forked tongue protruding in a probably highly inaccurate fashion. The background is transparent, so against a dark page, it glows slightly, despite its back being a slightly patchy, darker grey than its belly.
What’s that, Fay? You decided to draw something you’ve never drawn before for this already very involved poem? Cool. Cool.


The Ouroboros represents many things, depending on the cultural background you’re viewing it from. Unity, protection, duality, completeness, the trap that is the physical universe, and the end containing the beginning (and vice-versa) being some of them. Up to you which you’d like to apply in the context of this piece…!

Thursday, 16 April 2026

15 - Safekeeping

#NaPoWriMo Day 15 and tonight I’ve been writing a sestina inspired by love and connection, after attending the gorgeous Fen Speak open mic (which I wasn’t going to, and then wonderful things happened, so I stayed).

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the fourteen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/safekeeping-155744689


Tonight we are treated to treatises on love
and acceptance, cozied in glorious metaphor.
Tonight we dance under moonlight,
drifting in snow-powdered warmth,
daring to name family in new ways,
old ways, loud and soft together, clasping hands.

How wonderful, to span distances with hands
separated by miles and water, seeking love.
Battered by battling life, we find ways,
even now – especially now – for
bringing brilliance, by-product of warmth
to those in search of light.

It is nice to be reminded, to take flight,
lifted and steadied by multiple hands,
securely precipitous, glorying in the warmth
of spirits who, time and again, choose love,
doubling-down on every indicator
that shared humanity is more important, always.

I am tired, in too many ways,
but my veins fizz with light.
I am unclenching from a score
of near-misses, feeling returning to hands
that long to show my love
in more ways than words, to share warmth.

There are many types of fire building this warmth,
and it occurs to me that ‘nice’ can’t encompass the ways
we feel, the fights we are fuelled by, knowing that love
is summoned through filters across a spectrum of light,
and that this infinite diversity is perfect – ANDs
glittering in this coruscance of connections, the beauty of ORs.

And isn’t that what our perfectly illogical logic is for?
Logs given to the hearth around which we gather, warmth
a gift, shared, multiplying between many hands.
And we are careful to acknowledge all the ways
that flames this large cast long shadows, a twilight
in which we dismantle all the grim things to which we clove.

Take each other’s hands in the dance – it’s what they’re for –
step with purpose and wild abandonment, love and warmth
the inspiration for more ways to light the path, to say We’re Here.

A digital colour drawing of a pair of unnaturally pale, cupped hands against a black background, from which dancing flames erupt, as if by magic, sending a few sparks into the air around.
Drawing by me, shamelessly reusing one of the sets of hands from Spectral, flame reference from Wikipedia


Did I add a Star Trek reference in there? Why yes; yes, I did. Zero regrets. (See also the couple of cheat words I used that a sestina purist would probably scorn.) Am I satisfied with the drawing? Not yet, but, in the spirit of NaPoWriMo, I’m posting it anyway.

If you’d like to write your own sestina why not make use of my handy-dandy shareware spreadsheet that can help get you started? https://bit.ly/poemrep

Wednesday, 15 April 2026

14 - Count Down

#NaPoWriMo Day 14 and today I’ve written an Abracadabra inspired by the Random Line Generator. The words I was given were clean, taunt, inspect, secret, guard, thick, brush, and vapour, and it’s quite the challenge to fit them into such an already curtailed form. Judge for yourself how you think I did!

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the thirteen preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/count-down-155651088


“Is it clean yet?” the old man taunts. “Come on, boy!
“He wants to see your face in it, come night.”
The young lad shakes his head and brushes
thick detritus of an age free.
Intent to pass inspection,
he fails to keep his guard.
The secret hour strikes;
he sees nothing
as vapours
claim his
life
A gothic looking mirror with a very ornate, dark red frame, all curlicues and snarling heads, complete with candlestick holders at the bottom. The wall behind the mirror is a slightly lighter shade of red, but with odd patterns of light grey, almost like dried salt water marks, or even some kind of regular-yet-chaotic mould. The glass of the mirror is the next shade of dark red from black, and it looks as though the colour is seeping out and coagulating on the lower lip of the frame. So faint as to be possibly a figment of your imagination, are two faint handprints to either side of the bottom of the glass. If it is glass. It's probably glass. I'm sure it's fine.
Original mirror image obtained from Wikipedia, then thoroughly messed with by me

If you’d like to write your own Abracadabra, why not make use of my handy-dandy shareware spreadsheet that can help get you started? https://bit.ly/poemrep

Tuesday, 14 April 2026

13 - Weathering

#NaPoWriMo Day 13 and tonight I’ve been writing a triolet inspired by loneliness (well… specifically missing someone).

Remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the twelve preceding it) there. The link to the relevant post is here: https://www.patreon.com/posts/weathering-155564589


“I miss you” seems repetitive and trite,
and yet, it is the only phrase that fits.
Alone, the world is dull, and with you, bright.
(“I miss you” seems repetitive and trite.)
See, when you’re in my arms, the world feels right,
and holding you will smooth my jagged bits.
“I miss you” seems repetitive and trite,
and still… it is the only phrase that fits.

A grainy mobile phone camera photo in low, warm light, of a living room with two empty chairs at slightly more than right-angles to each other, both a cozy red. The one on the left is narrow, with a high back, and is covered in a velvety throw, a throw cushion decorted with alternating bands of large, dark red and light circles sitting in it, along with a TV remote on the left arm. The other chair is broader, with a much lower back, and three velvety cushions - two red and one black somewhat haphazardly stuffed into one corner - and a segment of a round footrest just visible in the bottom right of the photo. Behind and between the chairs is a silver exercise ball, and beyond that, a pale wooden bookcase stuffed with books. There is a bay window beyond the larger chair, sporting white, venetian blinds, mostly pulled down except for one which is slightly contracted and pulled up at the bottom, and a creamy white curtain held back by a large, brass hook. There is a very dead-looking pot plant on the windowsill. Oops!
TV room poet’s own

If you’d like to write your own triolet, why not make use of my handy-dandy shareware spreadsheet that can help get you started? https://bit.ly/poemrep

Monday, 13 April 2026

12 - Prickling Tributes

#NaPoWriMo Day 12 and tonight I’ve been writing a piece of free verse inspired by Prickly Pears – a tribute poem to all the performers tonight.

Normally, I’d tell you to remember that, if you’re a subscriber to my Patreon, you can hear a recording of this piece (and the eleven preceding it) there. HOWEVER, I promised a recording to the performers, so you get it here too (and I’ll just have to come up with an extra gift for the Patreon subscribers to make up for this not being exclusive…).



We are safe, sound, and wonderfully
colourful, loving the brilliant wisdom
of glittering sensitivity, lifting each other,
comfortable challenges, deft and considerate.

Intro

Do or die is not today, burning down
expectations, searching out the dangers,
mistaking the ways of working,
turning lurking in perfection into freedom.

Kate

Sinners pay for the mistakes of
making noises, canonically confetti-strewn,
and construing duty as a
reconstruction of a stumble.

Gareth Barsby

Clap out the chaos, refusing to inflict
infantile isolation, reject rot, recognise the
wild sanctity of humanity, games
making fiction a breathlessly empty treachery.

Vayl

Let’s teach each other constructive alignment,
pedagogically, paradoxically dodging OFSTED,
bodging observations, repetitively dictating
today’s duration, even though it feels endless.

Pip

Open a correspondence into a lifetime of
idealism, downing a cocktail of
positive experiences, reeling and rocking,
mocking the inevitability with a grin.

Ash

Consumption of society’s norms can be filling,
drilling into the bedrock of toxic assumptions,
dumping constructions, rolling the stones
over and over to the conclusion of inevitability.

Sandra

Unprompted preparation paves the way for a final trip,
flipping memories over on the grill of reality,
the musicality of island tides gifting something
undefinable, measured in its loss, sweet as Paradise.

Phynne~Belle

Triple-time gifts us dancing experiments,
bending shackled minds to wander and wonder
under the bedrock echoes of the resounding repetition
of loneliness, serendipity abandoned, surviving unforgiven.

Joycey

Fresh words flourish in fertile space, stretching
restless frustration into a new cage, hemmed in,
digging into resentment, then switching optimistically,
gathering new meanings, leading to graceful patience.

Tamika

Paradoxically, we walk in contradiction, begging for
attention, twitching in syncope, drifting in focus,
opening minds to the ‘craziness’, not lazy, but blunted,
shunted into a category that clatters at the periphery.

Ashley

Cued up, we examine bigotry under a magnification
of narrative that serves only the kyriarchy,
wicked and wilful monochrome, honing the agenda
of apathy, the gift of those who spike the path mendaciously.

Phoenix

We’re a patchwork of fingerprints, beauty painting a
palimpsest of history, gifting us a view that inevitability
depends on compliance and forgetfulness, the weft of
deft love and clear eyes against the warp of greed.

Suzy

We carpet bare memories with prettiness,
mess swept under the fashionable patterns that
distract from the demons inscribed into the grain,
blame bobbing down the rivers of sweat buoying complicity.

Bethany

Colour flourishes up walls, adorning imaginations with
grace and clipping, trimming situations with
disappointment, impressing lines into blank pages,
the ages connecting, washing up against our shored stories.

Lee

We have opened many windows into compassion
dashing, sweet, spendthrift and multiplying,
kindness a warm gift that benefits every
member of our shared continuity.

Gareth Bartlett

Automated text tells a layered set of mixed messages
getting tangled in parallel meanings,
gleaning more than nonsense, the strangest
guest of humanity, sentience being a lucky dip.

Clive

And finally, functions summoned by departed friends
send us into a litter of plastic bagged eternity, wildness
lined with polymer, bone-deep, changing our definitions,
prinked colours murmurating across the canvas of the mind.

Beth

Thanks for the inspiration


Against a sky-blue background, a bearded, white, slender person with a helmet of dark, curling, shoulder-length hair, points upwards from behind a microphone with a yellow cover on it. They are wearing a black waistcoat over a red, short-sleeved top, and are clearly in the middle of saying something. Beside and behind them is a brightly sunlit, pale green cactus with bulbous, red protuberances, a little like prickly strawberries, sprouting off the top. All-caps, black words in an uneven font read PRICKLY PEAR OPEN MIC FEATURING FAY ROBERTS where the date, SUN 12TH APRIL 7PM BST, is written in red.
Poster of the event because why not?