Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Saturday, 4 April 2026

4 - Yr Eos

Day 4 of NaPoWriMo and I made a spreadsheet to give me random prompts of form and topic. While testing it out the other night, it gave me “Blank Verse” and “Rhiannon”, who happens to be one of my favourite mythological figures. (I was once cast as her in an audiodrama and I nearly expired of excitement – the title for this came about because the sound designer used nightingale birdsong behind my voice.) She has no connection to inspiration/ the awen that I know of, being a shrewd stateswoman and strong woman associated with horses and sovereignty (and sarcasm), but her advice to go slow and her association with (healing) birdsong turned into an exploration of patience in association with creativity. And I thoroughly ignored the notion of blank verse and used a series of chained clogyrnachau instead…

If you’re subscribed to my Patreon, you can hear an exclusive recording of this (and other things) read aloud. The recording is here.


She is still with us, don’t you know?
She tells us: “Take your time, be slow…
“The trees are heavy
“with birds, so merry.
“Listen, let the words flow.

“Child, the muse exacts no levy,
“the fruit comes in its time, very
“generous and true,
“because it is you,
“and creation’s messy!

“Cariad, take the longer view:
“the words will come out when they’re due.
“If shy, you must coax,
“not lash them to yokes.
“Trust in patient virtue.”

Her voice lingers beyond the oaks,
I close my eyes, let it invoke
magic, sweet and slow
(she’s still here, you know).
Let her guide my penstrokes.

A scan of a black and white illustration in a lithographic style on slightly discoloured, greyish page, where letters from the other side show through faintly. A white woman with dark hair sits side-saddle on a pure white horse with a long mane and tail, which is rearing slightly. The woman wears a long, very dark overdress dress with lighter, looping, swirling patterns reminiscent of paisley shapes and a white wimple and underdress. She has a calm, determined expression, and her arms are adorned with several bracelets. She is controlling the horse lightly, with only one hand on the reins. They seem to have paused in front of a thickly briared hillock with a stunted, wind-bent tree on top. Beyond the hillock is a large hill with a few bushes and trees on it, and a large fortification at the top. Faintly visible in the background is what appears to be a male rider coming towards Rhiannon from the direction of the fortified hill. Beyond him is an uncertainty of scribble that may be suggestive of a large group of armed men on horseback. The sky seems to be quite cloudy. At the bottom of the picture is a name, which research indicates is S. Williams.
Image from the Lady Charlotte Guest translation of The Mabinogion, by S. Williams, via Wikipedia

If you’d like to try out a clogyrnach or two, why not use my Repeating and Concrete Forms spreadsheet, which also has some syllable-counting forms like this, to help you?

Sunday, 23 April 2017

2017.23 - Text

She writes
A titration of dipthongs
And longing,
Belonging nowhere but
Cupped in the liminal
Giving up normalcy
To eke out impressions of
The ineffable.

It is a bargain she struck
To summon fortune from necessity,
A tincture of grace
To face down the inevitable,
Ebbing energy
While she dances in the dark
Harking back to all the promise made:
A lady of enviable potential
Eddying now.

Tell me how this is better!
She howls on the bad days,
The aching nights,
Bites back tears and
Fears of the Reaper:
The cheapness she will show
Blown like dust,
Unremembered.
Unremarkable.

She is dizzy
In the grip of herself and,
Absolutely at the plummet’s nadir,
Hears herself say gently:
“Remember the connections made,
The way they breed more,
Warming the world with fractal acts
Of passion,
Hands held, however briefly,
Leaching us of loneliness?

“Remember.

“Remember generosity’s
Tender reach.

“Remember the greyness,
The taste of a battened-down life.

“Remember the incomparable colours
Of love with all senses stretched.

“Remember.”

She does.
She dusts down darkness,
Sparks flying
From drying eyes.

It’s time to write.

Saturday, 22 April 2017

2017.22 - A Sofa Called Despair

I think I’ve come under a spell -
I’m not writing poems so well;
My brain’s had enough,
It’s been filled with dry stuff,
And my eyeballs are starting to swell.

It’s not that I don’t love to write,
But I’m coupling words every night.
#amwriting (Whatever!
I’ve jettisoned clever,
And am scribbling any old shite.)

But I can’t quit while I’m still ahead
Even though my Muse fucked off to bed.
If you cannot do better
Just get bloody meta
And write about writing instead.


Turns out that doing poetry admin is antithetical to writing poetry. I knew this, but I can’t just stop for April. Either that or all the late nights are draining my creativity. Or it’s just one of those days. Anyway. Limerick. Still on target. Bah. {twitches}

Tuesday, 1 April 2014

#1 Cage Aux Folles

Look at me!
Free to flap my wings
And chatter,
Map out my plot
In sensuous tread,
Admire my bob-tail colours,
The graceful wire
Of my horizon.

My song was made for flocking
No mockingbird, I chirp,
Flirt with my admirers,
Gulp down the praise
Thrown in handfuls,
Swing in short arcs,
Giddy with ambition.

Once, a small hand
Managed the insinuation of bars
Stroked my neck,
Begging for a dab of
Glamour by association.
I closed my eyes,
Leaned into a snatched caress
Blessed the owner with extra trills
That echoed long beyond departure.

They fade now -
Admirers and colours -
One drawn to the next songsmith,
The other to the too-small space
Beneath my feet.
I strain my gaze
To hills that were only ever vistas,
Heave shortened breaths,
And listen for the bell.



Inspired by a visit to The Birdcage, Norwich - image is a LuLu Guinness Birdcage Umbrella (thanks, Google).

Cross-posted to the Cambridgeshire NaPoWriMo blog.